Evening Poetry, May 24

A Prayer in Spring

by Robert Frost

Oh, give us pleasure in the flowers today;

And give us no to think so far away

As the uncertain harvest; keep us here

All simply in the springing of the year.

Oh, give us pleasure in the orchard white,

Like nothing else by day, like ghosts by night;

And make us happy in the happy bees,

The swarm dilating round the perfect trees.

And make us happy in the darting bird

That suddenly above the bees is heard,

The meteor that thrusts in the needle bill,

And off a blossom in mid air stands still.

For this is love and nothing else is love,

The which it is reserved for God above

To sanctify to what far ends He will,

But which it only needs that we fulfill.

You can find this poem in Robert Frost: Collected Poems, Prose, and Plays.

Evening Poetry, May 23

Let Evening Come

by Jane Kenyon

Let the light of late afternoon

shine through chinks in the barn, moving

up the bales as the sun moves down.

Let the cricket take up chafing

as a woman takes up her needles

and her yarn. Let evening come.

Let dew collect on the hoe abandoned

in long grass. Let the stars appear

and the moon disclose her silver horn.

Let the fox go back to its sandy den.

Let the wind die down. Let the shed

go black inside. Let evening come.

To the bottle in the ditch, to the scoop

in the oats, to air in the lung

let evening come.

Let it come, as it will, and don’t

be afraid. God does not leave us

comfortless, so let evening come.

This poem can be found in Otherwise by Jane Kenyon.

Evening Poetry, May 22

homage to my hips

by Lucille Clifton

these hips are big hips

they need space to

move around in.

they don’t fit into little

pretty places. these hips

are free hips.

they don’t like to be held back.

these hips have never been enslaved,

they go where they want to go

they do what they want to do.

these hips are mighty hips.

these hips are magic hips.

I have known them

to put a spell on a man and

spin him like a top.

You can find this poem in Penguin’s Anthology of 20th Century American Poetry.

Evening Poetry, May 21

Mother to Son

by Langston Hughes

Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark
Where there ain’t been no light.
So boy, don’t you turn back.
Don’t you set down on the steps
’Cause you finds it’s kinder hard.
Don’t you fall now—
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.

You can find this poem in The Collected Poems of Langston Hughes.

I’m Thinking About Trees (A Poem)

I’m thinking about trees, the ones standing 

at the back of the house. Maples, in particular. 

And how they are so clearly trees and 

are not in the habit of having identity crises. 

They aren’t wondering if they should perhaps

be like the evergreens next to them, or, 

maybe, like the apple trees in the orchard. 

After all, those pines don’t stand naked and 

exposed during the coldest months of the year. 

After all, apple trees have pretty pink blossoms 

in spring and all those juicy apples in fall. 

No, the maples stand sure with their trunks straight, 

while their branches grow out their new green leaves. 

They don’t seem to care if the wind blows fiercely 

against them. They just dance along—their branches 

swaying and bending, their leaves shimmying 

with each gust. They have two aims: to root down 

deep into darkness and to grow up tall toward 

the light.

If anything looks like a prayer to me, 

it’s how a tree lives its uncomplicated life. 

How it gives itself to each day completely, 

as only a tree can. How it stands rooted 

no matter what comes and never tries to be

something it’s not. A tree is itself: a tree.

Poem by Kim Pollack /©2019 All Rights Reserved

Evening Poetry, May 19

(From Book of Pilgrimage in Rilke’s Book of Hours: Love Poems to God by Rainer Maria Rilke)

In deep nights I dig for you like treasure.

For all I have seen

that clutters the surface of my world

is poor and paltry substitute

for the beauty of you

that has not happened yet…

My hands are bloody from digging.

I lift them, hold them open in the wind,

so they can branch like a tree.

Reaching, these hands would pull you out of the sky

as if you had shattered there,

dashed yourself to pieces in some wild impatience.

What is this I feel falling now,

falling on this parched earth,

softly,

like a spring rain?

II, 34

Evening Poetry, May 17

Moonlight

by Sara Teasdale

It will not hurt me when I am old.

A running tide where moonlight burned

Will not sting me like silver snakes;

The years will make me sad and cold,

It is the happy heart that breaks.

The heart asks more than life can give,

When that is learned, then all is learned;

The waves break fold on jewelled fold,

But beauty itself is fugitive,

It will not hurt me when I am old.

You can find this poem in the collection The Penguin Anthology of 20th Century American Poetry.

Evening Poetry, May 16

May Song

by Wendell Berry

For whatever is let go

there’s a taker.

The living discovers itself

where no preparation

was made for it,

where its only privilege

is to live if it can.

The window flies from the dark

of the subway mouth

into the sunlight

stained with the green

of the spring weeds

that crowd the improbable

black earth

of the embankment,

their stout leaves

like the tongues and bodies

of a herd, feeding

on the new heat,

drinking in the seepage

of the stones:

the freehold of life,

triumphant

even in the waste

of those who possess it.

But it is itself the possessor,

we know at last,

seeing it send out weeds

to take back

whatever is left:

Proprietor, pasturing foliage

on the rubble,

making use

of the useless–a beauty

we have less than not

deserved.

This poem can be found in New Collected Poems by Wendell Berry.

Evening Poetry, May 15

The Clothes Pin

by Jane Kenyon

How much better it is

to carry wood to the fire

than to moan about your life.

How much better

to throw garbage

onto the compost, or to pin the clean

sheet on the line

with a gray-brown wooden clothes pins!

You can find this poem in the collection Otherwise by Jane Kenyon.

Evening Poetry, May 13

Seeing You

by David Whyte

I want you

to see

yourself

the way

I sometimes

see you.

I want you

to see

yourself

with the

self-same

eyes

that have me

shy

of telling you

what I see.

I want you

to come across

your self

and see

yourself,

the way I did

that first

morning,

as a beautiful

incredibly

kind

and inviting

stranger.

I want you

to knock

gently on

your

own door

and stand

there

astonished

as I do

unable

to speak

to the one

who has come

out to meet you.

Like Rilke’s

visiting

angel

of the

Annunciation

who forgot

his message

to Mary,

and could only

fall back

to singing

her praises,

stuttering and

everwhelmed

as he was,

by the untroubled

beauty

of her soul.

You can find this poem in the collection The Bell and The Blackbird by David Whyte.