The place I want to get back to is where in the pinewoods in the moments between the darkness and first light two deer came walking down the hill and when they saw me they said to each other, okay, this one is okay, let’s see who she is and why she is sitting on the ground like that, so quiet, as if asleep, or in a dream, but, anyway, harmless; and so they came on their slender legs and gazed upon me not unlike the way I go out to the dunes and look and look and look into the faces of the flowers; and then one of them leaned forward and nuzzled my hand, and what can my life bring to me that could exceed that brief moment? For twenty years I have gone every day to the same woods, not waiting, exactly, just lingering. Such gifts, bestowed, can’t be repeated. If you want to talk about this come to visit. I live in the house near the corner, which I have named Gratitude.
Once there was a man who filmed his vacation. He went flying down the river in his boat with his video camera to his eye, making a moving picture of the moving river upon which his sleek boat moved swiftly toward the end of his vacation. He showed his vacation to his camera, which pictured it, preserving it forever: the river, the trees, the sky, the light, the bow of his rushing boat behind which he stood with his camera preserving his vacation even as he was having it so that after he had had it he would still have it. It would be there. With a flick of a switch, there it would be. But he would not be in it. He would never be in it.
The grasses in the field have toppled, and in places it seems that a large, now absent, animal must have passed the night. The hay will right itself if the day
turns dry. I miss you steadily, painfully. None of your blustering entrances or exits, doors swinging wildly on their hinges, or your huge unconscious sighs when you read something sad, like Henry Adams’s letters from Japan, where he traveled after Clover died.
Everything blooming bows down in the rain: white irises, red peonies; and the poppies with their black and secret centers lie shattered on the lawn.
Last night, we had our first FLX Literary Society meeting in our library. There were five of us, which felt perfect, since four of us were introverts. This idea has been brewing ever since that episode of What Should I Read Next podcast where Tiffany talked to Anne about her Literary Society.
Tiffany was flooded with DMs on Instagram of eager readers, like myself, who wanted to know more about Literary Society and how to start one of their own. Thankfully, Tiffany graciously gave us some guidelines in her Instagram highlights and was very encouraging to those of us who wanted to take her idea and run with it.
So I did. I asked a few friends if they would be interested, started a Facebook page, and set the date for our first meeting. And last night, we met and shared all of our bookish thoughts with each other.
Alan went first and talked about 11/22/63 by Stephen King, which he just finished, and also about King’s Dark Tower series, which he loved.
Susan shared a few Shel Silverstein poems from A Light in the Attic (Somebody Has To and The Little Boy & The Old Man as well as an original piece of her own writing. Susan is a witty, funny writer and we all can’t wait until she has a blog of her own!
I talked about The Clockmaker’s Daughter by Kate Morton, that I finished earlier in the week. The writing in this book is beautiful. I wanted to read whole passages over again just to listen to the those words. Her writing reminds me a bit of Amor Towles’ A Gentleman in Moscow. The stories in this book are centered around a house in the English countryside where a ghost resides. Many characters from different time periods are all connected in some way to this house. The ghost’s narration is interspersed with third person POVs of the various characters in their various time periods. It was an ambitious book to take all of those people and find a way to connect them to the house. I thoroughly enjoyed listening to the audio version.
I also shared about The Heart’s Invisible Furies by John Boyne, a book about a gay young man growing up in Catholic Ireland during the fifties and sixties. And I talked abut She’s My Dad by Jonathan Williams, a book I’ll share more about in a review next week, and about the most bizarre book I read in 2018: Convenience Store Woman a story told from a socio-path’s perspective by Sayaka Murata.