Evening Poetry, March 13

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An Old Woman of the Roads
by Padraic Calum

O, to have a little house!
To own the hearth and stool and all!
The heaped up sods against the fire,
The pile of turf against the wall!

To have a clock with weights and chains
And pendulum swinging up and down!
A dresser filled with shining delph,
Speckled and white and blue and brown!

I could be busy all the day
Clearing and sweeping hearth and floor,
And fixing on their shelf again
My white and blue and speckled store!

I could be quiet there at night
Beside the fire and by myself,
Sure of a bed and loth to leave
The ticking clock and the shining delph!

Och! but I’m weary of mist and dark,
And roads where there’s never a house nor bush,
And tired I am of bog and road,
And the crying wind and the lonesome hush!

And I am praying to God on high,
And I am praying Him night and day,
For a little house – a house of my own
Out of the wind’s and the rain’s way.

You can find this poem in Selected Poems of Padraic Colum.

Evening Poetry, March 12

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March
by Emily Dickinson

We like March, his shoes are purple,
He is new and high;
Makes he mud for dog and peddler,
Makes he forest dry;
Knows the adder’s tongue his coming,
And begets her spot.
Stands the sun so close and mighty
That our minds are hot.
News is he of all the others;
Bold it were to die
With the blue-birds buccaneering
On his British sky.

You can find this poem in The Complete Poems of Emily Dickinson.

Evening Poetry, March 11

Plastic: A Personal History
by Elizabeth Bradfield

How can I find a way to praise
it? Do the early inventors & embracers
churn with regret? I don’t think my parents
—born in the swing toward ubiquity—chew
& chew & chew on plastic. But of course they
do. Bits in water, food-flesh, air.
And their parents? I remember Dad
mocking his mother’s drawer of saved
rubber bands and his father-in-law’s red,
corroded jerry can, patched and patched,
never replaced for new, for never-
rusting.
             Cash or plastic? Plastic. Even
for gum. We hate the $5 minimum.
Bills paperless, automatic, almost
unreal.
           My toys were plastic, castle
and circus train and yo-yo. Did my lunches
ever get wrapped in waxed paper or
was it all Saran, Saran, Saran?
                                                Sarah’s mom
was given, in Girl Scouts, a blue sheet
of plastic to cut, sew, and trim with white piping
into pouches for camping. Sarah has it still,
brittle but useful. Merit badge for waterproofing.
For everlasting.
                         You, too, must have heard stories,
now quaint as carriages, of first plastic, pre-plastic.
Eras of glass, waxed cloth, and tin.
Of shared syringes.

All our grocery bags, growing up,
were paper. Bottom hefted on forearm, top
crunched into grab. We used them
to line the kitchen garbage pail.
                                                  Not that long
ago, maybe a decade, I made purses for my sisters
out of putty-colored, red-lettered plastic Safeway
bags. I’d snag a stack each time I went, then fold
and sew, quilt with bright thread, line with thrift store
blouses. They were sturdy and beautiful. Rainproof
and light. Clever. So clever.
                                           I regret them.
And the plastic toothpicks, folders, shoes that seemed
so cheap, so easy, so use-again and thus
less wasteful, then. What did we do before
to-go lids? Things must have just spilled
and spilled.
                      Do you know
what I mean? I mean, what pearl forms
around a grain of plastic in an oyster?
Is it as beautiful? Would you wear it?
Would you buy it for your daughter
so she in turn could pass it down and
pass it down and pass it down?

Find this poem at poetryfoundation.org

Evening Poetry, March 10

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Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

You can find this poem in Thirst.

Evening Poetry, March 9

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Small Kindnesses
by Danusha Laméris

I’ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say “bless you”
when someone sneezes, a leftover
from the Bubonic plague. “Don’t die,” we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we don’t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, “Here,
have my seat,” “Go ahead — you first,” “I like your hat."

You can find this poem in Healing the Divide: Poems of Kindness and Connection.

Evening Poetry, March 8

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It’s International Women’s Day! Here is one of my favorite Black woman poets, and perhaps she’s yours too!

Still I Rise
by Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

You can find this poem in The Complete Poetry.

Evening Poetry, March 7

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Lily
by Ron Koertge

No one would take her when Ruth passed.
As the survivors assessed some antiques,
I kept hearing, "She's old. Somebody
should put her down."

I picked her up instead. Every night I tell her
about the fish who died for her, the ones
in the cheerful aluminum cans.

She lies on my chest to sleep, rising
 and falling, rising and falling like a rowboat
fastened to a battered dock by a string.

You can find this poem in Healing the Divide: Poems of Kindness and Connection.

Evening Poetry, March 6

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Wild Swans
by Edna St. Vincent Millay

I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more;
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!

You can find this poem in The Collected Poems of Edna St. Vincent Millay. 

Evening Poetry, March 5

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A Note Left on the Door
by Mary Oliver

There are these: the blue
skirts of the ocean walking in now, almost
to the edge of town,

and a thousand birds, in their incredible wings
which they think nothing of, crying out

that the day is long, the fish are plentiful.

And friends, being as kind as friends can be,
striving to lift the darkness.

Forgive me, Lord of honeysuckle, of trees,
of notebooks, of typewriters, of music,
that there are also these:

the lover, the singer, the poet
asleep in the shadows.

You can find this poem in Thirst.

Evening Poetry, March 4

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Study the Stone
by Meister Eckhart

Be yourself. And if what this means
is unclear to you, look around at

the things of this earth. Study the stone
which always does what it was made

to do: it doesn't always fall in the
same way, sometimes resting in high

places and at other times finding its
rest where the earth allows it to lie,

but its purpose is to move downward,
and in this the stone loves God in the 

way it can, singing the new song
which God gives each creature and thing--

and also you who read this at times
wonder what to do and how to be.

You can find this poem in Meister Eckhart's Book of the Heart: Meditations for the Restless Soul.