Evening Poetry, November 20

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The Trees
by Mary Oliver

Do you think of them as decoration?

Think again.

Here are the maples, flashing.
And here are the oaks, holding on all winter
to their dry leaves.
And here are the pines, that will never fail,
until death, the instruction to be green.
And here are the willows, the first
to pronounce a new year.

May I invite you to revise your thoughts about them?
Oh, Lord, how we are all for invention and 
advancement!
But I think
it would do us good if we would think about 
these brothers and sisters, quietly and deeply.

The trees, the trees, just holding on
to the old, holy ways.

You can find this poem in Evidence.

Evening Poetry, November 16

Autumnal Tree at the side of the River Wharfe by Andy Beecroft is licensed under CC-BY-SA 2.0

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What Can I Say?
by Mary Oliver

What can I say that I have not said before?
So I’ll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.

Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.

You can find this poem in Swan: Poems and Prose Poems.

Evening Poetry, November 13

Osdale River by Richard Dorrell is licensed under CC-BY-SA 2.0

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Mysteries, Yes
by Mary Oliver

Truly, we live with mysteries too marvelous
   to be understood.

How grass can be nourishing in the
   mouths of the lambs.
How rivers and stones are forever
   in allegiance with gravity
      while we ourselves dream of rising.
How two hands touch and the bonds will
   never be broken.
How people come, from delight or the
   scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
   who think they have the answers.

Let me keep company always with those who say
   “Look!” and laugh in astonishment,
   and bow their heads.

You can find this poem in Evidence.

Evening Poetry, October 21

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Fall Song by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries - roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay - how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

You can find this poem in American Primitive: Poems.

Evening Poetry, September 15, 2023

Photo by Nikolaeva Nastia on Pexels.com

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Do you love Mary Oliver’s poetry as much as I do? I never tire of reading it. Each poem pulls me away from the hustle and invites me to get outside, to notice what’s happening within and around me, and appreciate and really live in the experience of “this NOW”, as she writes in this poem.

Fall Song 
by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries - roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay - how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

You can find this poem in the collection American Primitive by Mary Oliver.

Evening Poetry, March 10

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Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

You can find this poem in Thirst.

Evening Poetry, October 9

The Old Poets of China

by Mary Oliver

Wherever I am, the world comes after me.

It offers me its busyness. It does not believe

that I do not want it. Now I understand

why the old poets of China went so far and high

into the mountains, then crept into the pale mist.

You can find this poem in Why I Wake Early.

Evening Poetry, September 23

The Fist

by Mary Oliver

There are days

when the sun goes down

like a fist,

though of course

if you see anything

in the heavens

in this way

you had better get

your eyes checked

or, better still,

your diminished spirit.

The heavens

have no fist,

or wouldn’t they have been

shaking it

for a thousand years now,

and even

longer than that,

at the dull, brutish

ways of mankind–

heaven’s own

creation?

Instead: such patience!

Such willingness

to let us continue!

To hear,

little by little,

the voices–

only, so far, in

pockets of the world–

suggesting

the possibilities

of peace?

Keep looking.

Behold, how the fist opens

with invitation.

You can find this poem in Thirst.

Evening Poetry, September 8

Praying

by Mary Oliver

It doesn’t have to be

the blue iris, it could be

weeds in a vacant lot, or a few

small stones; just

pay attention, then patch

a few words together and don’t try

to make them elaborate, this isn’t

a contest but the doorway

into thanks, and a silence in which

another voice may speak.

You can find this poem in Thirst.

Evening Poetry, April 30

In honor of National Poetry Month, and Mary Oliver, our beloved national poet who passed away in January, I will be posting one of her poems each evening in April. I am hoping to follow in the footsteps of Sarah Clarkson and read a poem on Instagram Live in the evenings as well…Follow me on Instagram to tune in.

Wild Geese

You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert, repenting.

You only have to let the soft animal of your body

love what it loves.

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

Meanwhile the sun and the clear pebbles of the rain

are moving across the landscapes,

over the praises and the deep trees,

the mountains and the rivers.

Meanwhile the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting–

over and over announcing your place

in the family of things.

This poem can be found in the collection Dream Work.