Mary Oliver

Evening Poetry, November 20

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The Trees
by Mary Oliver

Do you think of them as decoration?

Think again.

Here are the maples, flashing.
And here are the oaks, holding on all winter
to their dry leaves.
And here are the pines, that will never fail,
until death, the instruction to be green.
And here are the willows, the first
to pronounce a new year.

May I invite you to revise your thoughts about them?
Oh, Lord, how we are all for invention and 
advancement!
But I think
it would do us good if we would think about 
these brothers and sisters, quietly and deeply.

The trees, the trees, just holding on
to the old, holy ways.

You can find this poem in Evidence.

Evening Poetry, November 16

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Autumnal Tree at the side of the River Wharfe by Andy Beecroft is licensed under CC-BY-SA 2.0

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What Can I Say?
by Mary Oliver

What can I say that I have not said before?
So I’ll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.

Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.

You can find this poem in Swan: Poems and Prose Poems.

Evening Poetry, November 13

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Osdale River by Richard Dorrell is licensed under CC-BY-SA 2.0

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Mysteries, Yes
by Mary Oliver

Truly, we live with mysteries too marvelous
   to be understood.

How grass can be nourishing in the
   mouths of the lambs.
How rivers and stones are forever
   in allegiance with gravity
      while we ourselves dream of rising.
How two hands touch and the bonds will
   never be broken.
How people come, from delight or the
   scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
   who think they have the answers.

Let me keep company always with those who say
   “Look!” and laugh in astonishment,
   and bow their heads.

You can find this poem in Evidence.

Evening Poetry, October 21

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Fall Song by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries - roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay - how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

You can find this poem in American Primitive: Poems.

Evening Poetry, September 15, 2023

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Photo by Nikolaeva Nastia on Pexels.com

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Do you love Mary Oliver’s poetry as much as I do? I never tire of reading it. Each poem pulls me away from the hustle and invites me to get outside, to notice what’s happening within and around me, and appreciate and really live in the experience of “this NOW”, as she writes in this poem.

Fall Song 
by Mary Oliver

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries - roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay - how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.

You can find this poem in the collection American Primitive by Mary Oliver.

Evening Poetry, March 10

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Messenger
by Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

You can find this poem in Thirst.

Evening Poetry, March 5

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A Note Left on the Door
by Mary Oliver

There are these: the blue
skirts of the ocean walking in now, almost
to the edge of town,

and a thousand birds, in their incredible wings
which they think nothing of, crying out

that the day is long, the fish are plentiful.

And friends, being as kind as friends can be,
striving to lift the darkness.

Forgive me, Lord of honeysuckle, of trees,
of notebooks, of typewriters, of music,
that there are also these:

the lover, the singer, the poet
asleep in the shadows.

You can find this poem in Thirst.

Evening Poetry, October 24

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Dreams

by Mary Oliver

All night

the dark buds of dreams

open

richly.

In the center

of every petal

is a letter,

and you imagine

if you could only remember

and string them all together

they would spell the answer.

It is a long night,

and not an easy one–

you have so many branches,

and there are diversions–

birds that come and go,

the black fox that lies down

to sleep beneath you,

the moon staring

with her bone-white eye.

Finally you have spent

all the energy you can

and you drag from the ground

the muddy skirt of your roots

and leap awake

with two or three syllables

like water in your mouth

and a sense

of loss–a memory

not yet of a word,

certainly not yet the answer–

only how it feels

when deep in the tree

all the locks click open,

and the fire surges through the wood,

and the blossoms blossom.

You can find this poem in Dream Work.

Evening Poetry, October 12

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Goldenrod, Late Fall

by Mary Oliver

This morning the goldenrod are all wearing

their golden shirts

fresh from heaven’s soft wash in the chill night.

So it must be a celebration.

And here comes the wind, so many swinging wings!

Has he been invited, or is he the intruder?

Invited, whisper the golden pebbles of the weeds,

as they begin to fall

over the ground. Well, you would think the little murmurs

of the broken blossoms would have said

otherwise, but no. So I sit down among them to

think about it while all around me the crumbling

goes on. The weeds let down their seedy faces

cheerfully, which is the part I like best, and certainly

it is as good as a book for learning from. You would think

they were just going for a small sleep. You would think

they couldn’t wait, it was going to be

that snug and even, as all their lives were, full of

excitation. You would think

it was a voyage just beginning, and no darkness anywhere,

but tinged with all necessary instruction, and light,

and all were shriven, as all the round world is,

and so it wasn’t anything but easy to fall, to whisper

Good Night.

You can find this poem in Why I Wake Early.

Evening Poetry, October 9

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The Old Poets of China

by Mary Oliver

Wherever I am, the world comes after me.

It offers me its busyness. It does not believe

that I do not want it. Now I understand

why the old poets of China went so far and high

into the mountains, then crept into the pale mist.

You can find this poem in Why I Wake Early.